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COLLAGES - TWO

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Soon after arriving in Hawaii, Gloria Foss took a collage class from Les d'Alexandre, a noted artist.  She learned how to dye ordinary white tissue papers so that they were multicolored and patterned. No two papers were ever identical, and that has proved to be the endlessly fascinating thing about the dye process.

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"Peacock Feathers"
20x24" Collage

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"Sun-Struck Trees"
28x32" Collage

After d’Alexandre returned to his home in Europe, Gloria began to teach semiannual paper dyeing and collage workshops in a six-day intensive format.  She taught her own technique of gluing down random shapes of gold or silver foil on the canvas first and overlaying them with the hand-dyed   tissues.  When glued with an acrylic medium, the tissues become semi-transparent, allowing the foils to reflect through them.   Since it is impossible to work on a collage outdoors, landscapes must be done from photographs, drawings, or imagination.  The collage layering process is so loose, so interpretive, however, that no collage will ever look photographic, despite its source of inspiration.

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"Haiku Gardens Gazebo"
24x26" Collage
(Sold)

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"Night Flight"
20x24" Collage

When Gloria Foss retired from active teaching to finish her first book, How to Paint, the paper dyeing and collage workshops continued, thanks to her longtime colleague, Susan-Rogers Aregger.  They have collaborated on a new book about their collage methods entitled  Paper Dyeing for Collage and Crafts.  It will be available in the summer of  2004.  The entire cover of this 8.5” x 11” horizontal book is a reproduction of a collage mural Gloria Foss was commissioned to do for a building in Waikiki.  “…Let There Be Light. Gen. 1: 3" is a perfect example of her method of layering hand-dyed tissues over foils.  The front half of the mural is shown on the cover of the new book.

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"...Let The Be Light. Gen 1:3"  - 4' x 12' Commissioned Mural"
(Not for Sale)

COLLAGES - PAGE 2

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